First episodes dropping Fall 2026
the Story Beneath the Sound.
A cinematic interview and live set, filmed at a place that is meaningful to the artist. Real conversations about the life behind the music, followed by a performance you won't see anywhere else.
The Concept
Beneath the Decks is a cinematic interview and live performance series that goes deeper than any 90-minute festival set allows. From underground legends to global headliners, each episode is raw, personal, and immersive, capturing the full breadth of who these artists are, not just as performers, but as people. No green rooms, no PR handlers, no scripted questions. We show up to the places that matter most to them and let the conversation go wherever it needs to go.
Beneath the Decks exists because we saw a gap nobody was filling. Every episode is built entirely around the artist: the location, the setting, the music, all curated by them, not a label, not a booking agent, not a festival programmer. That means a place that genuinely means something to their story, music they've been dying to play, and a vibe that's intimate with a few friends or a full-blown party. Dance music artists are some of the most creative people alive, yet the industry often keeps them in a box, the same 90 minutes of crowd-ready material, repeated city after city. There's rarely space for them to show the world who they actually are.
That's the gap Beneath the Decks fills: a window into the artist behind the sound, tied to a moment and a place that matters, documented at the highest level of production.
Part One
15 – 30 minutes
Shot at a location the artist chooses, somewhere meaningful, nostalgic, or personal. The space becomes part of the story. We skip the surface-level career talk and go deeper: hidden passions, mental health, cultural identity, artistic struggles, and the moments you've never heard before.
Part Two
60 – 90 minutes
A live set recorded at the same location as the interview. The music becomes a reflection of the conversation and the space around it. Every set is cinematic, filmed in a place that genuinely means something to the artist. Whether it's stripped-back, high-energy, or a sound you don't usually get to hear from them, the set reveals another layer of who they are as an artist and a person.
Upcoming Episodes
The Vision
We hold ourselves to the highest standard of production — breathtaking locations, multi-camera setups, drone footage — applied to a format that puts the artist's story at the center.
The Team
Founder & Producer
Biggie Murray
Born and raised in Malibu, CA, Miles has been deep in the dance music world for
over a decade, both behind the decks and in the crowd. He started DJing in
college in 2016 and started his production journey producing rap beats. His
addiction with dance music started with Big Room names in the 2010's "Golden Era"
of EDM, and has since been spinning venues in LA, and curating his own events.
Miles has spent years inside the scene as a genuine participant, backstage at
EDC and Insomniac events, in underground clubs across Europe, absorbing what
dance music culture truly means at every level. His passion for people,
relationships, and storytelling makes him a natural advocate for artists who
deserve a platform as real as the music they create.
Dance music, to Miles, is fundamentally about connection: PLUR, no
discrimination, love for the sound and the people who define it. Beneath the
Decks is the natural extension of everything he believes in.
Host & Co-Founder
Glass Halo
Born in Boston, MA, Quinn moved to New York City to pursue his obsession with
dance music, and hasn't looked back. A producer for over eight years across
multiple genres, a trip to Berlin in 2023 confirmed what he already suspected,
electronic music is the future. He now produces House, Techno, and everything in
between, and plays and promotes events across Brooklyn, including the
House-focused People You May Know and the underground Techno party, Crave.
What makes Quinn unique is his range. From mainstream Manhattan House nights
to underground queer Techno raves in Bushwick warehouses, he moves fluidly
through every corner of the scene, an artistic chameleon who understands
that great dance music has no single face.
His fascination with the stories behind these communities, and the glaring
lack of great content being made about them, is exactly what drove him to
help build Beneath the Decks.
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